![]() ![]() It doesn’t get much traffic, and is mostly up for posterity. ![]() The original source code is also available. The original downloads are still hosted on Sourceforge.Īt this point however, Tremulous is obviously very old and there are no doubt better options in terms of clients such as Tremfusion ( source) or GrangerHub ( source). This was released as the Game Play Preview (GPP) patch, though ultimately interest from the original developers waned and the community took over development and maintenance. A couple of minor patches were made to version 1.1 the game, and some further work was made towards version 1.2. id software subsequently released the full source code for its game engine and Tremulous transitioned to a fully standalone title over the following months, eventually leading to an initial release in the spring of 2006. Following a long gestation period, Tremulous was originally released as a mod for Quake III Arena in the summer of 2005. Each team must attack the enemy’s base and team members while defending their own base.Īround 2000, development was started by players of the Quake II modification Gloom, which also features alien vs human teams with distinct user classes. The game features two opposing teams: humans and aliens. Kathryn Alexander’s And the Whole Air Is Tremulous meshes Stone’s live performance with a tape composed of manipulated prerecorded samples of various members of the flute family.Tremulous is a free and open source asymmetric team-based first-person shooter with real-time strategy elements. ![]() (This) composition is concerned with musical ideas forming and evaporating, re-forming in many ways, and again dissolving…” Mosko’s Indigenous Music II: Flute (1985) is a survey of the many kinds of music-making indigenous to the instrument-not only the usual melodic line, but also multiphonics, whistle tones, and singing while playing-while also exploring new territory in the use of extended glissandi over the range of the instrument. ![]() Stephen Mosko’s For Morton Feldman, completed in 1987 shortly after Feldman's death, is “a reflection on many of the ideas he introduced to me. Morton Feldman’s Trio for Flutes (1982) is “pure” Feldman: a kind of distant view from a mountaintop, with the fragments of an obsessive, compressed musical idea seeming to scud across the landscape like wisps of cirrus clouds. From these drawings, beautiful in their starkness, Cage then, in 1985, fashioned a musical counterpart, with a live flute solo against a tape of pre-recorded flutes and with simple percussion that seems to be filling around the “rocks” with a sandscape. John Cage’s Ryoan-ji (1985) is a musical counterpart to drawings he made of the Ryoan-ji Garden in Kyoto after a visit in 1962. Stone, takes as its point of departure the familiar Tchaikovsky song “None But the Lonely Heart,” celebrating the utter “alone-ness” of the solo flute with subtlety and wit. Milton Babbitt’s solo piece, None but the Lonely Flute, written in 1991 for Ms. Works by Kathryn Alexander, Milton Babbitt, John Cage, Morton Feldman and Stephen Moskoĭorothy Stone, flute Arthur Jarvinen, percussion Erika Duke-Kirkpatrick, cello and Gaylord Mowrey, pianoĭorothy Stone, critically acclaimed flutist and founding member of the California EAR Unit, presents six new works for flute which explore the expressive potential of the pure voice of the solo flute in a variety of sympathetic contexts. ![]()
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